The Wrought Iris Mittens pattern is now available for purchase!
If you've been following me on Instagram, you may have spotted these in their long and gradual process of being charted, written up, knit, unknit, reknit, until they were just right. They're finally here, and I'm very pleased.
The motif for these mittens was inspired by an image of a stylized Iris that has been reworked; intertwined with a memory of a wrought iron fence with the sunset glowing behind it. The result is a fun and elaborate-looking pair of stranded-knit mittens, the Wrought Iris Mittens glowing with the remembered light. Worked cuff up in the round using stranded colourwork, with a gusset worked in the palm that is set aside on waste yarn to be worked later for the thumb.
Finished Size: Women’s medium/large or Men’s small/medium 20 cm 8” palm circumference; 25.5 cm 10” total length.
Yarn: Ancient Arts Yarns Woof Collection 100% Superwash Blue Faced Leicester Wool 4 Ply (fingering/sockweight; 400m/437 yards per 100g 3.5 oz skein; 100% Blue Faced Leicester Wool), 1 skein in Golden Retriever (MC), 1 skein in Chocolate Lab (CC).
Or: Ancient Arts Yarns Woof Collection 75% Superwash Extra Fine Merino / 25% Silk - Fingering / Sock (fingering/sockweight; 400m/437 yards per 100g 3.5 oz skein; 75% Superwash Extra Fine Merino, 25% Silk), 1 skein in Golden Retriever (MC), 1 skein in Chocolate Lab (CC).
Showing posts with label woof collection. Show all posts
Showing posts with label woof collection. Show all posts
Monday, October 22, 2018
Thursday, November 10, 2016
Garneau Top
About a year ago, I went to the Calgary Fibre Arts Fair, and picked up a skein of Ancient Arts Fibre Crafts Superwash Merino yarn in a DK weight both for the joy of swatching it, and in the hope that I would come up with a design to go with it.
After a few swatches, I knew I had found something special, which I now present to you as the Garneau Top.
I used stockinette stitch and seed stitch in contrast to work a sort of 'texture blocking' instead of 'colour blocking'. Because the two textures reflect light differently, it gives the subtle impression of two very similar-but-different colours being used, while flowing along with the shaping of the top.
The neckline is what I would term a modified boatneck; a boatneck in essence, but made more comfortable to wear with short-rows being used to raise the shoulders slightly. Short-rows are also used in the body of the sweater—as the two stitch patterns have different row-gauges, working the short-rows counterbalances this to make for an evenly worked piece. The top is worked from the bottom-up in the round up to the armholes, then worked flat for the remainder, as are the sleeves, which are then set-in during finishing. The Garneau Top pattern is available for Women's sizes XS (S, M, L, XL, 2X, 3X).
I really enjoyed working with Ancient Arts to bring you the Garneau Top, which is named for a neighbourhood in Edmonton that I always enjoyed walking when I attended the University of Alberta. I pictured it as the perfect place to head out for a stroll with the handsome dog that the yarn is named for: Weimeraner.
Now, a word about this brilliant colour, which I loved for the way it presented so many different grays with so much depth:
Weimeraner is one of the several amazing colourways from the Ancient Arts Fibre Crafts Woof Collection. When you buy yarn from the Woof Collection , a portion of the proceeds is donated to the Best Friends Animal Society, which benefits stray and abandoned dogs. Now, I'm a dog person, but if you prefer cats to dogs? No problem; the Meow Collection benefits cats, and I think the Garneau Top would look excellent in Blue Persian too. A variety of other colours awaits in Superwash DK; I recommend Semi-solid colours for this pattern.
Buy the Garneau Top Pattern at the following links from:Ancient Arts Fibre Crafts or through Ravelry, and the yarn from Ancient Arts Fibre Crafts.
After a few swatches, I knew I had found something special, which I now present to you as the Garneau Top.
![]() |
| Photo by Austin Lee for Ancient Arts Fibre Crafts. Used with permission. |
I used stockinette stitch and seed stitch in contrast to work a sort of 'texture blocking' instead of 'colour blocking'. Because the two textures reflect light differently, it gives the subtle impression of two very similar-but-different colours being used, while flowing along with the shaping of the top.
![]() |
| Photo by Austin Lee for Ancient Arts Fibre Crafts. Used with permission |
![]() |
| Photo by Austin Lee for Ancient Arts Fibre Crafts. Used with permission |
![]() |
| Photo by Austin Lee for Ancient Arts Fibre Crafts. Used with permission |
I really enjoyed working with Ancient Arts to bring you the Garneau Top, which is named for a neighbourhood in Edmonton that I always enjoyed walking when I attended the University of Alberta. I pictured it as the perfect place to head out for a stroll with the handsome dog that the yarn is named for: Weimeraner.
Now, a word about this brilliant colour, which I loved for the way it presented so many different grays with so much depth:
Buy the Garneau Top Pattern at the following links from:Ancient Arts Fibre Crafts or through Ravelry, and the yarn from Ancient Arts Fibre Crafts.
![]() |
| Photo by Austin Lee for Ancient Arts Fibre Crafts. Used with permission |
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