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Showing posts with label Colour. Show all posts
Showing posts with label Colour. Show all posts

Thursday, November 24, 2016

Magnetospheric Gloves

Presenting my Magnetospheric Gloves, which currently appear in Knit Now Magazine Issue 67!

Ever since I first saw the mood boards that went with Knit Now editor Kate Heppel's call for submissions, I have been eager to see the resulting magazine issue; whether I would end up making the cut or not! The theme was the Northern Lights, with a focus on the commonalities in knitting traditions between the various countries that have the good chance to view them.

Photograph by Dan Walmsley for Practical Publishing, used with permission
I thought back to my favourite Northern Lights viewings: as a child when my family drove late at night near Dawson Creek, laying my head down as far as it could go on the door so I could see them better out my window as they danced in greens and blues, with the occasional hint of red so subtle I wasn't sure if I was seeing it; as a teen, at the campground at Okanagan Lake, on a hillside, large bluey-green-to-white lights that rose tall out in front of us, like an Imax screen, looking near enough to touch; newly graduated from University, my future husband by my side, in Halifax, on the balcony at the B&B with the other guests who had rushed out for the show, they were high in the sky, pale in colour but bright and shimmering. One of the other guests at the B&B in Halifax was from Iceland, and she said her mother had always told her not to whistle at the Northern Lights, lest the giants come down and take her head to use in their game of football.

This brings me back to the northern countries part of the call. I feel it's important to note just how vast the North truly is, and to highlight that even though Edmonton is the northernmost large city (by which is meant having over a million population in our greater metropolitan area) in North America, we're not really very far North in the scheme of things. Really, we're pretty much central Alberta, and the top of Alberta might be considered to be touching the Southernmost part of the North, but the amount of North that is North of there is just immense. Still, as an important airport location for access to the North, we've been called Gateway to the North, so here we are. We are far enough North to see the Northern Lights, and that is a lovely thing.

I'm also not from the part of the country that has been connected by water to the Scandinavian countries (that would mainly be Newfoundland, where Anse aux Meadows is an important example of Norse Settlement in North America from the year 1000). In Alberta, we are landlocked, but we nonetheless still have connections to these countries due to all the settlers who arrived at various times to farm our prairies. Just this past summer, my family visited Stephansson house near Markerville, where an Icelandic poet and farmer resided with his family from 1889. We went to the Norwegian Laft Hus in Red Deer that was built to honour Norwegian settlers of the area. We didn't get a chance to see the Danish Canadian gardens and museum near Dickson (maybe next summer? it looks brilliant) that are also located in Central Alberta, but many towns boast Scandinavian ancestry in Alberta.

Stephansson House
Along with Scandinavian settlers came Scandinavian knitting! Of course that knitting has been blended with other traditions as various cultures meet here too. In a country, and province, where a great variety of people from a great variety of places have come to build their lives, I hope we can all be inspired by each other to learn more about each others' traditions, and to continue to build new traditions made stronger by the inclusion of our various roots. I have always felt strongly that the most important Canadian Values are to value each other in this way, and to give one another the chance to grow together while continuing to respect each other's traditions. We may not always have lived up to this ideal, but to live up to it as we move forward is crucial.  

Norwegian mitten displayed at Norwegian Laft Hus
It's possible you may think at this point that I have strayed from the point, but I assure you, I have not. Often, in the Knitting Community, we muse on the topic of interconnectedness, and on how we are brought together by our craft. These connections continue beyond knitting, and can strengthen our resolve to get to know one another better. Karie Westermann, who collaborated on a large part of this magazine issue, often writes about the connections between landscape, geography, knitting and culture, and I recommend also reading her blog post about Issue 67 and about her gorgeous cover sweater.

Canadian knitwear inspired by various Scandinavian knitting traditions, at the Norwegian Laft Hus
To bring this back to the Magnetospheric Gloves, the motif on the gloves is one that can be found in Scottish Fair Isle knitting, but it would also be at home on an Icelandic Yoke jumper. I like that the kinship between the two countries can be seen in these gloves, but that they were designed in a third country in turn, and that all three are bathed by the same lights in the night sky. The Magnetospheric Gloves were worked in Artesano 100% Alpaca 4ply; Knit Picks Alpaca Cloud Fingering  is suggested as a substitute. Using an 'afterthought' thumb, these gloves are a good project for either first-time colourwork, or first-time gloves (or both!). Available in small, medium, and large adult sizes, these gloves are just the thing to bring with you on a chilly night of stargazing, wherever you might be watching from.


From what I have seen so far, this magazine issue is even more beautiful than I could have imagined. You can read about it on the Knit Now Blog, and even better, can purchase a digital copy of the magazine here, and a hard copy here.

Friday, March 20, 2015

Choosing Colours for the Firth Waves Cushion


One of the most exciting parts of knitting Fair-Isle or other Stranded Colourwork is picking the colours. Of course, that can also be the hardest part too. I love yarn lines that have a ridiculous number of colours available, but it can be awfully hard to narrow them down.

For the Firth Waves Cushion, I wanted a cool, subtle gradient with a bright pop of contrast. I looked through a variety of whites, greys, and blues, and had the pinky-orange Conch firmly in mind throughout as the one I wanted for contrast.

The sample for the pattern collection was done up with White, a range of four blues/greenish blues (Clarity, Icicle Heather, Marina, and Spruce), and the pinky-orange (Conch).










For my couch at home, I'm knitting up Firth Waves using White, Dove Heather as an additional neutral, Opal Heather as a grey-to-blue transitional colour, Fjord Heather (I think that's my current favourite from this selection), Marina to brighten things up, and Conch to make it really pop.







Now, to make a new colour scheme, I often play around with my chart, changing it with colours sampled from the website photos of yarn (not as perfect as having 100 different shades to play around with at home, but still pretty good). Of course, Knit Picks also has a kit builder, so if you head to the page for the Firth Cushion, you can play along just like I did this morning to come up with a few combos. For these examples I stuck with the main idea (as in the original) of using a neutral (or nearly neutral) along with one main colour family, and one contrasting colour:

1. White, Hollyberry, Calypso Heather, Oyster Heather, Rouge, and Blossom Heather (neutral, red-pinks, and a pop of teal)

2. Cloud, Brass Heather, Amethyst , Almond, Creme Brulee and Semolina (warm neutral, golds, and a pop of purple)

3. Seraphim, Sprinkle Heather, Golden Heather, Haze Heather, Amethyst Heather, Fairy Tale (purples with a pop of gold)

4. Oyster Heather, Chocolate, Tranquil, Almond, Persimmon Heather, Rooibos Heather (browns with Aqua)

I've kept it to fairly simple substitutions, though you could of course swap out the light background for a dark one with lighter motifs instead. Of course, it's also hard to say what they'll look like knit up until you knit them up, but here's how they could look in a modified version of the chart (using the sampling from photos as described above):



Using flat colours like I have here is nothing compared to actual yarn, particularly for the heathered colours, which are anything but flat. Still, these are all useful tools to help narrow things down, and can help you note a few issues with your selections, such as in number 3, where Seraphim is perhaps not high enough contrast; I would probably swap it out for White or Clout. I hope this will be of help to you in picking out your colours!


Thursday, March 05, 2015

Lily Mittens-Knit Now #45

Knit Now Magazine hosts a regular Designer Challenge feature, in which designers are asked to come up with designs for a particular yarn on a tight timeline, to see what they can dream up.

My answer was to create this stranded-knit pair of mittens for Knit Now, and the pattern is out today in issue #45, (which is, by the way, bigger and better than ever) available online at this link.

Photo by Dan Walmsley for Practical Publishing, used with permission































I had a great time playing around with the motifs and re-arranging them to make the chart for this pattern, and enjoyed knitting them up with Truly Wool Rich 4-Ply by Cygnet.




Photo by Dan Walmsley for Practical Publishing, used with permission






































Since I can't resist checking out both sides of a stranded-knit project, here's an inside-out shot too:




Winter's far from over yet, so why not knit up a quick and bright treat for yourself? Nothing like playing with colour to make up for dreary grey days while waiting for Spring to finally arrive!

Tuesday, January 06, 2015

Starting Off 2015 in a Book

It's back to work, and I'm so glad to be starting off 2015 by having a pattern in a book.

Yesterday, Knit Picks released their 2015 Fair Isle Collection, and I've contributed the Firth Waves Cushion.







I had a lovely time picking out colours and charting them up for this pattern. While you certainly could quibble that it's not strictly traditional Fair Isle (and certainly it was not made there, but rather on this side of the pond), it's a fun bit of stranded-colourwork knitting inspired by Fair Isle motifs.







When I first had a chance to peek at the photos, I thought that if they're taking great photos like that of a cushion (creating the sudden desire for picnics that I can't have as we're under quite a lot of snow), then I can't wait to see the photos of the sweaters. Really, do take a look at all of them; they did not disappoint. 

Now for a cup of coffee, and hoping it will warm me up! (Still cold here at -25 C with windchill, but that's January for you).

Thursday, December 11, 2014

Floral Heart Mittens


I've been looking forward to sharing these mittens with you for a long time! 
©Dan Walmsley for Practical Publishing, used with permission
Most of you will know that I love stranded colourwork, and of course, Norwegian-style mittens are some of my most favourite things of all. So, when Knit Now put out a call for a Scandinavian-themed issue, I got swatching and sent in a proposal to make these Floral Heart Mittens. The issue is full of lovely colourwork, and has a great primer by Karie Westermann (who blogs over here) on the different varieties of Scandinavian knitwear (also, she designed lovely things for the issue too, as did many other designers, so why not check out the Ravelry preview to see all the lovely things?).

©Dan Walmsley for Practical Publishing, used with permission
I was so very pleased to be able to work with Jamieson & Smith Shetland Heritage yarn for these mittens. It has such a lovely and satisfying squoosh to it, feels lively to work with, and knits up with a soft hand while still feeling durably woolly.

Issue #42 of Knit Now is on sale today at http://www.moremags.com/knitting/knit-now

Also, I've been interviewed in conjunction with the Independent Designers Gift-Along 2014, so please enjoy at this lovely blog here: thelittletreasures interview. I'm just tickled pink to be able to share so much great news today!

Now to get started on Christmas knitting (yes, that's right, started; sometime next week I'll let you know just how far behind I am).



Thursday, September 18, 2014

Woodland Cardigan

Way back in March, which seems like ages ago now, Kate Heppell, Knit Now Editor, put out a call for submissions for the Fall issues with, as usual, extremely gorgeous mood boards.

I liked a lot of things in the mood boards, particularly the Down to the Woods board here. (I'm also on Pinterest, over here). Now, there are no hedgehogs or rabbits in my neighbourhood here in the Alberta prairies (though a porcupine and many jackrabbits/hares have been spotted), but I've spent so much time in my childhood reading novels set in England that I feel a displaced nostalgia. I loved this board, especially the hedgehog in a woolly blanket, and the animal garlands, that to me suggested rows of stranded knitting.

I had about three ideas going that gradually got narrowed down to a baby pullover. Of course, then I re-read the header on the board, which asked for Adult garments and accessories. After a brief moment of disappointment that I'd got it wrong, I wondered whether the hedghog, bunny and acorn motif I'd been working on in my head was way too cute for an adult sweater. Deciding there's no such thing as too cute in this case, I came up with the following sketch and swatch, and sent in my proposal.




The hedgehog and acorns were easy to get just so, but it took a few tries to get a bunny motif that looked just bunnyish enough without making it much bigger than the hedgehog.

















Kate e-mailed to say it was great and that she'd like to commission it, but there's another woodland pullover sent in that she loves just as much, so could I make it a cardigan instead so that both patterns would be different enough to be in the same issue? (Check out the lovely Parliament of Owls pullover here on Ravelry!) I said sure thing, and starting plotting to make it work.

There were a few changes that need to be made, I found, as I started a new, flat swatch (we had worked out that it was best to have this one worked flat rather than round and steeked, as the pullover has steeks in that pattern), that a few changes needed to be made, such as changing single stripe rows to two rows. 

I also realized that while I could knit stranded knitting with both hands on the knit side, I'd never worked purls with my right hand. I set about learning how (after all, millions manage it every day), but eventually realized that my tension being very different while purling with my right, I'd have to resort to knitting with both hands, and purling all stitches with my left, being careful how I dropped and picked up the yarn again to ensure correct yarn dominance while stranding yarn in front of the wrong side.




I think I managed quite well in the end, though I will say it was a challenge to get the sample knit up in three weeks, some of that time having been spent re-calculating for the new gauge with the actual yarn, J.C. Rennie Supersoft Lambswool 4 ply. It's a really light fingering weight, and I ended up going down a needle and therefore re-calculating all 7 sizes. The results made this extremely worthwhile, and by the way, the yarn washes up just lovely.

Thanks to a friend of the family, I have a few modeled shots from a few minutes before I took the completed sample to the post office!







I would like to thank Kate and her staff for all their hard work on Issue 39, which looks great! You can buy it here at Knit Now.

Huge thanks to the amazing Sigrun, who did a pre-tech-edit tech-edit for me, helping me double-check everything before sending things off, and to Steph who encouraged me and advised as I sorted out a few problems in the early stages (also for lending me a long 2.75 mm circ)! 

Big thanks to my whole family for their encouragement, and particularly to my husband and kids for their love, patience, support, and willingness to let me ignore them completely for large stretches of time while working on the Woodland Cardigan!












Thursday, February 02, 2012

Presenting a Pair of Perfectly Pleasing Popinjays

I would like to present my new pattern, Popinjays, which I'm pleased to say is a part of the Knit Picks Independent Designers Program:


Popinjays are a pair of stranded-knit hand-warmers featuring a juxtaposition between warm-weather tropical birds and cold-weather Nordic knitwear.



Sizing is achieved through the use of different sizes of yarn: Palette fingering for small, Wool of the Andes Sport for medium, and the worsted weight Wool of the Andes for Large.



While working on my holiday knitting in the frosty fall, I found that my hands were too cold to knit in the car, and began a pair of hand-warmers to remedy this. Indulging in my favorite pursuit—stranded colorwork—I took inspiration from a pair of popinjays (the heraldic term for parrots) featured in a sample of 14th Century Italian fabric.

The floral motifs and bright colors are a cheerful reminder of warmth and life in the midst of a cold, long winter, and I feel like a bit of a popinjay myself, both knitting and wearing them.

I would like to thank Stephanie Rodgers for proofreading, Jaime Lees and Beverly Feddema for photography, Knit Picks for being excellent to work with, and my dear husband for being a good sport and model.

Monday, March 07, 2011

I-gyle, U-gyle, we all Gyle for Argyle

My sister wanted an I-pod cozy for her birthday, so I knit her one.  I figured, why not make a sweater-vest for the thing, and while I'm at it, I can practice some fun techniques in a smaller scale.  So, I designed and knit her I-pod an Argyle sweater vest.

For those who don't knit, or haven't used intarsia in their knitting, I'll get a litle explainy, but I'll try not to get too carried away in the little details.  For intarsia (that being the technique used to work argyle), you have a separate bit of yarn for each section of colour in the pattern as you work across it.  Each time you get to a new colour, you drop it (having twisted it with the next colour), and pick up the next colour.

Now, there were a few ways to approach this vest.  For one, you can ignore the thin little diamond-forming stripes until after the fact and embroider them on afterward using duplicate-stitch embroidery.  I ended up choosing another, rather labour-intensive version.  I decided, just for a lark, and since it was in such a small scale and therefore quicker and easier (right?), to do it all at once in knitting, and to work every section including those wee stripes with separate bits of yarn.  I knew there would be a few more ends to work in this way, but it couldn't be that much more work, could it?

I neglected to consider two things:

1. Just because the scale is smaller, doesn't mean there will be less ends to weave in afterward.  For instance, if I made a full-size sweater, but it had the same number of diamonds in it, it would have the same number of ends to weave in.

2. There were not just a few more ends to weave in.  There were lots and lots more.

Just to give you a clear notion of just how many more ends, I will tell you the difference right here.  Option A, With Duplicate Stitching, would have given me about 58 ends to weave in.  Option B, A Call to Madness, gave me about 128 ends to weave in, and made the project look like a jellyfish in the meantime.

This took very little time to knit, and a very, very long time to finish.

Inside
Outside
Next to all the trimmings from the ends.
Next time I step within range of an argyle project, I will remember that duplicate stitch embroidery is my friend.

Wednesday, March 02, 2011

In Which We Wish for Warmer Weather




It's cold here.  Too cold.  Way too cold.  We're a wee bit fed up with winter at the moment, but will have to put up with it for another month or two whether we like it or not.  Right now, it's -23 degrees Celsius, but the windchill brings it to -35 degrees Celsius.  It's been like that (within a few degrees anyway) for several days now, and it looks to continue that way for several more.


In the meantime, the kids and I decided to give spring a miss and head straight to summer, if only for the day.  Yesterday, we had an indoor beach party.  After all, the kids did insist on putting on their swimsuits and wandering the house pretending to swim.  I merely encouraged a tidying up of the living room so it could be set up with beach blankets, books about marine life, and a scavenger hunt for various marine-themed toys that I then scattered about the room.

My oldest kept changing outfits throughout the day (it was still rather chilly, so I think it was quite sensible to cover up), but my youngest was determined to stay in her swimsuit all day.  I joined in, putting on my swimsuit with a sarong, and my husband even brought home a pineapple for a pre-dinner snack.

My youngest wandered the halls making swimming motions and shouting 'dim! dim!' (swim, swim!).



It's certainly worthwhile at this time of year to add a bit of fun and colour to our days to make up for the weather and unending whiteness of snow outside, and I've endeavored to add a bit to my knitting as well.


Now that's a cheerful bit of red cotton, and I'm enjoying knitting a ballet top with it for my oldest.  Now it's time to go see how many sweaters I can wear at once... brrr!

Tuesday, February 22, 2011

In Which a Sweater is Completed, and Colour Selection is Discussed

I finished knitting my sweater this weekend!  Yes, I know it's a Tuesday, but it was a holiday here yesterday, so I had a long weekend to wrap up this one up.  The pattern is Tubey, by Cassie Rovitti, and was knit in Patons Classic Wool.




Now, I love the original, including the colours in the original, but I wanted to work with my stash, and, since I generally wear more subdued colours than those called for, a change was called for.  I had to sort out just what colours to use, and how to make good substitutions for the originals.

I bought some Dark Grey Mix to use as the main colour (instead of black), brought it home, and pulled out all my odds and ends of Patons Classic Wool and took a look at how they worked together.  I settled on my heathered colours, rather than solids, since the dark grey was also heathered.  They worked out fairly well together to look like a more faded and washed-out version of Tubey.





 The exception to the heathers was Aran (white), which stood in quite well for the Pea Green of the original.  Sure, white's not even remotely green, but it's as bright in my sweater as the green is in the original.  Plum Heather was a good substitution for the Eggplant, but it did take a little longer to sort out my remaining colours, as I had originally planned to put in a denim blue somewhere.  I had a hard time trying to decide where to put my blue, jade-green and pink.





To help me decide, I set out all my wool, then took a photo with my trusty digital camera, then used the camera software to turn the photo into a greyscale version.  I had already printed out my copy of the pattern in black and white, so, I could now compare the colour values directly to see what would work best.  In this context, the denim blue was obviously not going to work for me, as it was too close to the other values.  I also found out this way that the Jade Heather was a much better substitute for the Teal in the original, which seems obvious now, but I was trying to shoe-horn that denim in somehow, and the blue for blue had seemed like the right choice at the time.







So, having set aside the blue, I added Cognac Heather (rust) for the brown (which again seems obvious, but I had originally left it out, thinking that it was too close to the plumb), and used the Woodrose Heather (pink) in place of the purple, as the values matched up neatly.

I did up a swatch using the colours I had chosen, and since they looked rather smart together, I was ready for the sweater, which is otherwise knit as written, in the medium size.  I had a great time knitting this fun pattern, and find that it fits comfortably too.  I'm well-pleased.